Rock of Ages Movie Adaptation Lands with a Thud













Rock of Ages movie review. Fans of the musical, Rock of Ages, are familiar with the tale of star-crossed lovers Drew Bolie (AKA Wolfgang Van Colt) and Sherri Christian who seek musical fame in Hollywood only to have their dreams hijacked along the way. Drew, whose dream is to be a rock god, instead finds himself in a foolish boy band while the only spotlight Sherrie finds is at the local strip club.

Unfortunately, Rock of Ages the musical was similiarly corrupted when it went to Hollywood to become a feature presentation.  The formula for a jukebox musical is pretty straightforward, jam some well known tunes into an entertaining story and let the music do the heavy lifting. Done well (Rock of Ages, Mamma Mia, We Will Rock You) and you have  an fun night at the theater, done poorly (Movin Out) and end up with a crap-tastic disaster.

The movie version of Rock of Ages cuts down on the music (!) and foregoes Lonny as the musical narrator (one the best the parts) for weak dialog exposition.

The resulting mess is boring slog of bad dialog. Much of the humor and cultural references from have also been completely excised. The changes turn a tongue-in-cheek romp into a bad a parody of Spinal Tap. Characters have been completely re-written and expanded in an attempt to get as much mileage as possible from the all-star (?) cast.

And here is probably where things went wrong in production. The Stacey Jaxx character while a memorable supporting character in the stage production is played by Tom Cruise, and here he’s the main emphasis of the show. You can imagine his agent sitting down with the producers…OK, Mr. Cruise is interested but we’re going to need some re-writes. First, the character won’t have a weird fetish for baby llamas…and rather than just being a stoned-out rocker he needs to be a on spiritual journey, and uh, the character needs a happy ending…

In a case of bizarre casting, Alec Baldwin takes the role of Dennis Dupree manager of the Bourbon Club. Baldwin does obnoxious well but seems completely miscast here.

The movie catches a little wind near the end but its not nearly enough to save it.

The stage musical worked by relying on music, humor, and ended with a nice moral-

Sherrie and Drew move to Glendale and start a family. Lonny notes that on The Strip, sometimes the dreams with which you enter are not always the dreams with which you leave, but they still rock.

The movie ditches this ending for feel good big stadium-sized finale. Big stars, big ending, big budget. It’s not enough for Sherrie and Drew to move to settle down in suburbia, they need to be big rock stars too! Stacey Jaxx needs to find love and a family! Dennis doesn’t die!

Amazingly this movie failed on two fronts. It’s hard to imagine that fans of the musical will enjoy the changes made to the story and equally hard to imagine that anyone would want to see the musical after this mess of a movie.

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Recovery- Eminem

Eminem’s last album, Relapse, was a disappointment.  It had a few good songs but I wondered if maybe success (and excess) had dulled his talent.  Recovery is the album that Relapse wanted to be- an affirmation that Eminem still has the tale

nt and desire to connect with his audience.  Recovery finds Eminem free of his drug problems and dealing with demons that drove earlier work.

Disclosure- Eminem grew up in same part of Warren, Michigan as I did.  No, I never met him- we ran in different circles, but I always paid attention to his work and appreciated that he stayed in the Metro-Detroit area after finding fame.  I remember seeing a billboard for the film 8 Mile while on a business trip in Los Angeles and feeling a little bit of civic pride.

So I always pulled for him.  i hope that Recovery marks a new drama-free phase of Eminem’s career.

Hopefully, he’ll stay clean, stay sane, and continue to make great music.

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